Books
Imperial Stagings: Empire and Ideology in Transatlantic Theater of Early Modern Spain and the New World. Chapel Hill: University of North Carolina Press, 2013.
Transatlantic Arias: Early Opera in Spain and the New World. Madrid: Iberoamericana/Vervuert, 2013.
An annotated critical edition of Lazarillo de Tormes. Chicago: Waveland Press, 2013.
Hispanic Studies in Honor of Robert L. Fiore co-edited with Julia DomĆnguez. Newark, DE: Juan de la Cuesta, 2009.
Selected Articles
āEmpire, Politics, and Literature." Oxford Handbook of Spanish Golden Age Literature. Ed. J.A. Garrido Ardila. Oxford University Press. In press.
āOpera in Early Modern Iberia." Routledge Online Encyclopedia of the Renaissance World. 2022.
āLa visiĆ³n de los novatores en Bances Candamo: La astrologĆa como experimento teatral." Atardece el Barroco: FicciĆ³n experimental en la EspaƱa de Carlos II (1665-1700). Ed. Jorge GarcĆa LĆ³pez and Enrique GarcĆa Santo-TomĆ”s. Madrid: Iberoamericana, 2021. 271-96.
āPerforming Musical Theater in the Bodas de Camacho in Don Quixote." Living the Comedia: Essays Celebrating Amy Williamsen. Vol. II. Ed. Esther FernĆ”ndez and Yuri Porras. University Press of the South, 2020. 165-76.
āBest Practices for Planning, Developing, and Sustaining Interdisciplinary Language-Based Study Abroad Programs." Study Abroad: Traditions, Directions, and Innovations. New York: Modern Language Association, 2019. 119-36.
āTransatlantic Opera in Spain and the New World in the 17th and Early 18th Centuries." The Oxford Research Encyclopedia of Latin American History. William Beezley. New York: Oxford University Press, 2018. Online.
āCervantes y del debate cientĆfico en El Quijote." El Quijote en AmĆ©rica: Cervantes, autor universal. Ed. LĆ³pez MartĆnez, MarĆa Isabel and Rosa Eugenia Montes Doncel. Seville: Renacimiento, 2016. 56-79.
āCervantes and the Picaresque: A Question of Compatibility." The Picaresque Novel in Western Literature: From the Sixteenth Century to the Neopicaresque. Ed. J. A. G. Ardila. Cambridge: Cambridge UP, 2015. 96-112.
āWriting to be Heard: Performing Music in Don Quixote." Cervantes in Perspective. Ed. Julia DomĆnguez. Madrid: Iberoamericana/Vervuert, 2013. 87-109.
āCervantes's Theory of Relativity in Don Quixote." Cervantes: Bulletin of the Cervantes Society of America 31.1 (2011): 51-82.
āThe Picaresque According to Cervantes." Philological Quarterly 89.1 (2010): 31-54.
ā'SeƱora, donde hay mĆŗsica no puede haber cosa mala:' Music, Poetry and Orality in Don Quijote." Hispania 93.3 (2010): 357-67.